
Astronauts of Albania
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Wax Monkey
Wax Monkey is a 5-piece jam band composed of childhood friends hailing from Birmingham, Alabama. The members first started jamming together in high school before officially forming the band in 2023 while attending the University of Alabama. Rooted in the spirit of musical exploration, Wax Monkey draws inspiration from legends such as The Grateful Dead, Phish, and The Allman Brothers Band—blending aspects of Southern rock, psychedelic rock, and improvisational jams.


Sahi On Ko Djony
Pronounced (sah-hee on co jonee) is a community-based Educational Program that exposes its
participants to the captivating and magical charisma of West African drumming, dance, and
folklore. The name is a term derived from the Fulani culture of Guinea, West Africa, which
means “The Time Is Now!” Our mission is to Learn, Preserve and Present the culture of West
African Dance, Drumming, and Folklore.

The Little Mercies
The Little Mercies are a folk trio of songwriting multi-instrumentalists. ‘Boy Genius meets Dixie Chicks,’ their genre-defying sound has gained national recognition and awards. With vocal harmonies, twin fiddles, and palpable joy, they promise an authentic, exuberant experience.


Sahi On Ko Djony
Pronounced (sah-hee on co jonee) is a community-based Educational Program that exposes its
participants to the captivating and magical charisma of West African drumming, dance, and
folklore. The name is a term derived from the Fulani culture of Guinea, West Africa, which
means “The Time Is Now!” Our mission is to Learn, Preserve and Present the culture of West
African Dance, Drumming, and Folklore.

Willis Alan Ramsey
Over 50 years after his widly-influential self-titled album on Leon Russell’s Shelter Records, Willis Alan Ramsey returns to touring. Ramsey’s debut in 1972 earned scores of accolades from artists ranging from The Allman Brothers to Lyle Lovett. The album was mined by many artists for their own recordings including Jimmy Buffett’s “The Ballad of Spider John”, Jimmie Dale Gilmore’s “Goodbye Old Missoula”, Shawn Colvin’s “Satin Sheets”, Captain & Tennille’s “Muskrat Candlelight/Love”, Jerry Jeff Walker’s “Northeast Texas Women”, Waylon Jennings’ “Satin Sheets”, New Grass Revival’s “Watermelon Man”, and many more. Since that landmark first release, Ramsey has toured only occasionally, spending time instead honing his craft in Austin, Nashville and London, educating himself in the science of audio recording and composing new songs. His new material has received critical acclaim, including Lyle Lovett’s recordings of “Sleepwalkin’”, “North Dakota” and “That’s Right (You’re Not From Texas”), as well as Eric Clapton’s recording of “Positively”. Ramsey’s personal appearances always garner excitement among some of the top critics in the country as well as from his fellow artists: “His cozy, orderly, tiny-detail songs express a willful turnabout from hippie chaos, a visceral reaction particular to the early 1970’s. His songs are sweet, emotionally guarded and often musically complex, fitting strains of melody together that seem as if they ought not connect, expertly using rhythmic displacement as the words and chords unspool …. Perfection is terrifying, and some of these songs felt spooky.” – Ben Ratliff, The New York Times “You might have not seen him lately, but if you’ve listened to Shawn, Lyle or Jimmie Dale, you’ve heard him.” – John T. Davis, The Austin American Statesman “Even if Ramsey had made a dozen more albums, this would still be the record that no home should be without.” – No Depression “When I got his record, I loved everything on it. I heard some Flannery O’Connor and William Faulkner in there. It was a little more literary than most of the Texas stuff.” – Jimmy Buffett “Everybody owned his record when I lived in Austin. That’s because it’s great and them Texans knew it. I think Lyle’s great, but tell me he didn’t learn something from Willis.” – Shawn Colvin “I learned every song off his record. I went to see him every time he played, got tennis shoes like his. I wanted to be Willis Alan Ramsey.” – Lyle Lovett

Shannon Slaughter
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Award winning songwriter Shannon Slaughter is the featured mainstay of the band which includes members Cliff Bailey, Andrew Walker, and Luke Wilborn. Anchored by powerful singing and ultra-tight harmony; they are a band that focuses on innovative instrumentation and arrangements. yet possesses the ability and desire to pay homage to tradition. Winner of the prestigious 2012 Chris Austin songwriting contest, (I've Hit Everything in My Life (But My Knees), Slaughter writes a wealth of the band's material. He has penned numerous songs that have received industry recognition and have been recorded by Blue Highway, The Lonesome River Band, Lou Reid and Carolina, Russell Moore and IIIrd Tyme Out, Mike Bentley and Cumberland Gap Connection, and Ernie Thacker. One of Slaughter's original gospel compositions, “It's So Hard to Stumble (When You're Down on Your Knees)” was nominated for a DOVE Award in 2010. Shannon Slaughter always manages to mix fresh original material with time-honored traditional bluegrass and country favorites. Band members have recorded and performed with some of the best in the bluegrass business, calling as former employers the likes of the Lonesome River Band, Lou Reid and Carolina, Kenny and Amanda Smith, Larry Stephenson, Melonie Cannon, and Grasstowne. Shannon promises a fresh, invigorating sound and playful stage banter. This band loves to entertain and brings a complete show to the stage!!

Sahi On Ko Djony
Pronounced (sah-hee on co jonee) is a community-based Educational Program that exposes its
participants to the captivating and magical charisma of West African drumming, dance, and
folklore. The name is a term derived from the Fulani culture of Guinea, West Africa, which
means “The Time Is Now!” Our mission is to Learn, Preserve and Present the culture of West
African Dance, Drumming, and Folklore.

Jeffry Broussard and the Creole Cowboys
Since their

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Banditos
Everything we write is from the point of view of the every person. We’re all in it together. I think the undertone of most of the music we write is inclusivity. Everyone can relate to it. Everyone can feel it.” That’s Mary Beth Richardson, lead vocalist of the beloved roots rock outfit Banditos. She’s talking about the song “On My Way,” a standout track off the band’s genre-defying new album Right On, on Egghunt Records. But she gets at the core of what makes Banditos so special, the secret sauce that built a rabid following for the Nashville-based, Birmingham, AL-born quintet, who first burst on the scene with their acclaimed self-titled Bloodshot Records debut in 2015.
